The Cost of a Grade

Or Collecting CGC

I might have to start this article with what is CGC? For decades, collectors wanted to buy the best possible comic book. Originally comic book enthusiasts would clamor for a pedigree because they were of the highest quality. I found out about these sought after collectibles from a list published in my first Overstreet's Price Guide. At one point the OPG was the be all to end all of comic book price gathering amongst trends, recorded sales, and even speculation. Since then, other magazines have come and gone. Wizard and CBG are some examples. 

Now with the internet, an up to date price guide is only a few short clicks away. EBay started to change the comic book industry in September of 1995 by allowing others to bid on comic books. A copy of Amazing Fantasy #15 could be found without ever having to leave home and at the price one is willing to pay. In 1999 the industry would greatly change once more, eventually escalating prices. 

CGC is a subsidiary of Certified Collectibles Group, or CCG. Comics Guaranty Company also known as CGC was surrounded by sister companies NGC (1987), SGC (1998), and followed by its younger sibling PMG (2005). CGC officially opened in 2000, but was created in 1999 amongst criticism, after all comic books were meant to be read. If you ask a fan of Marvel Comics who was mainly responsible for the creation of the Marvel Universe, the answer would be a resounding Jack Kirby and Stan Lee. If you ask who was responsible for CGC, the answer might be a little more difficult to come by.

Mark Salzberg, owner of the Certified Collectibles Group deciding to add grading comic books to his repertoire scoured the industry and found in more than humbled whispers that Steve Borock was the man to talk to. Steve was a knowledgeable collector originally setting up booths as a kid at local conventions. Over the years he acquired an “eye” to attain the best comic book possible and owned many of them. His love for the hobby had him questioning Mark, thinking this venture was only a way to scam the less knowledgeable; he met up with him anyway. 

After a dinner, set up by Steven Fishler, Steve Borock was convinced that it wouldn't destroy the hobby he loved, but level the playing field. Joining CCG was simply meant to be, but he couldn't do it alone. Some names that also show up when researching the origin of the most controversial topic to come along in comics since Dr. Frederick Wertham, would be Mark Haspel, Paul Litch, and later on Chris Friesen.

Originally starting with three graders, there were many nights the couch became the sleeping spot of choice for Steve Borock rather than take the trip home; besides, it got very cold in Parsippany, NJ. For CGC to work, a standard had to be created. How many flaws could each grade have? What if the book was restored? Could all three graders agree? Would the industry accept a third party grading company? And could the slab be fixed? These were Steve Borock’s first burdens.

The “slab” was the first problem to overcome. Both holders for NGC and SGC were solidly constructed to not only keep the cards and coins safe, but resistant to tampering. Comic books were a whole different avenue and they were three dimensional opposed to the two dimensions of their collecting counterparts. The sonic vibrations causing the slab to seal were only able to be opened by brute force, such as with a hammer. This could hardly be useful with a comic book.

  

At the 1999 New York Comic Con, the initial submissions were returned after it was realized the first version of holders were just not good enough. The possibility of the comic book being damaged inside what was supposed to protect it was just too overwhelming. Steve Borock wanted something that could protect the item and yet still be opened, if the owner of the comic book decided to read it. Once he was satisfied with improvements of the holder, CGC opened their doors and began grading on January 4th, 2000 with "Walt Disney Comics and Stories #1".

CGC doesn't merely slap a numerical grade to it; they also look for hidden defects, color breaks, chips, cracks, and missing pages. They search for tears, ink markings, foxing, water damage, and clipped coupons. There is also married covers, cockling, spine roll, indents, spine creases and in my case, Lucky Charms marshmallow stains. This list is unsurprisingly long. Most of us forget CGC looks for restoration first. I believe a way to protect the average collector was originally the main objective of CGC.  Steve Borock once called the internet the Wild West since you never knew what you were going to get and many times I am sure that was true.

Was that Amazing Fantasy 15 you just purchased over the internet not as good of a deal? Did the seller accurately describe the item or lie? Was it held together by tape? Was a page missing? Are the staples newer than the book? In fact a comprehensive detailed check and analysis on each comic book is performed by CGC. Two preliminary graders look over a comic book, each entering data without the other's knowledge. Once this is finished a senior grader looks over the same comic book and assesses it. Once the final grade is entered, all three entries are visible. If the grades match, the book is passed on to be encapsulated. If it doesn't, the three graders then discuss the condition before the final process.

This of course is for a fee. CGC is a business after all, one with ten plus years under its belt and over two million comic books graded. The cost and time involved is dictated by the tier of service involved. For example, an older Silver Age comic book will cost more to grade than a book just purchased off the shelf. After grading is completed, the book is encapsulated with two layers of protection. The first, or inner layer, is a soft plastic called Barex. CGC considers this as “The Well”. Afterwards this is secured in a thick hard exterior. Archival paper is placed inside the comic book between the front and rear covers to help reduce the damage caused by time.

The degree of restoration, signature placement, damage and numerous other probabilities are just a small amount of what goes into segregating the comic books and clarifying what grade and label a comic book should receive. The most popular and widely used is the Universal Blue Label. A restored book gets purple, CGC witnessing a signature gets yellow, and a restored comic book with a witnessed signature gets a dual color label with purple and yellow. The last label is green for any qualified grades, which deserves an article all by itself. Once in a while a discontinued red label can be found.

In 2007, at Wizard World Philadelphia, I picked up my first two CGC graded comic books. I purchased them originally as a novelty. I first heard of third party grading years before and I thought the idea of encapsulating a comic book away from ever being read again was ludicrous. As I walked around the convention floor purchasing various Daredevil issues to complete a run, almost every dealer had CGC graded comic books adorning their "walls". My curiosity piqued. My thought process changed from “never” to “why not?”

By the end of the show my growing comic book collection now consisted of two universal graded comic books. The first one was a 9.8 copy of Secret War #2 that I procured for $25. The second, also acquired from the same forgotten dealer, was a copy of a Daredevil #90 graded a 9.0 for the same price.  I thought the two that I picked up would be the end of it, and it was, until I walked into a much smaller convention, the Philadelphia Comic Con. It was at this smaller convention my addiction began with the first issue of my favorite title in the coveted 9.8 grade. 

Today CGC is the number one third party grading company for comic books with over two million graded. I predict they will reach four million in less time than it took to reach the first two, especially with the Signature Series popularity constantly growing and auction sites reporting record high sales, but why use CGC? Why have a book graded? Why get it checked for restoration? Is it worth it? And what could it cost?

Steve Borock originally created an idea for an ad still published in the OPG. The advertisement asked if you would buy a house without certification, a diamond, or even a car. And then asks why buy a comic book without the same peace of mind. I believe he meant for older comic books from the Golden and Silver Age and not so much with the newer Copper or Modern age. A new car should be flawless, much like a fresh comic book taken off the shelf. The back issue bin might be a bit more difficult to find a premium looking comic book, especially from the seventies or older.

As much as a car drops in value once removed from the dealership, a comic book has a chance to return on the cost, creating speculation. The craze in the nineties had comic books selling over a million copies each, on a few select issues. No such comic book has revisited those numbers and not one of those highly publicized books has yet to pay for a child's college tuition.

As things change, a six month transition period in 2008 occurred, this allowed Mark Haspel to take over the reins, changing from Vice President, a position he had since day one, and becoming the President of CGC. Steve Borock left CGC after this time and is now Senior Consignment Director at Heritage Auctions. In the same press release that announced Steve leaving and Mark taking over, it also announces Paul Litch becoming Vice President and Modern Primary Grader. Steve left knowing that CGC would be in good hands with someone who was there at the beginning with him. In 2011 Mark Haspel left on an extended leave of absence. Paul Litch is still at CGC as Primary Grader.

In the fifties comic books were currency into the world of make believe. A good neighborhood had friends trading them quickly after being read. At ten cents apiece, sales were staggering. I imagine one out of a hundred hoarded them, but with burnings in the fifties sparked by the book “Seduction of the Innocent” of these treasured items, their value seems to be guaranteed, hence why a majority of EC comics sell for hundreds of dollars in the poorest condition. In 1952 an industry high of over a billion comic books sold, that's over fifteen million a week.

Today, comic books are a bit more expensive. Who wouldn't want to purchase the best condition for their comic book collection? Any new comic book placed on the rack of any specialty shop I consider to be "Off the rack Near Mint". Once purchased there should be no problems with it getting a 9.4 if bagged and boarded and sent to CGC. A 9.6 is a meticulously nice book, while a 9.8 is easily the most sought after. Do I dare even mention a Mint 9.9, or its pure perfection counterpart, a Gem Mint, historically marked with a numerical ten?

A CGC 9.8 copy of Harbinger #1 which sold for $2550 in March of 2008, was the first comic book from the nineties to sell for over a thousand dollars in that grade. I heard a Spawn #1 in a 9.9 did the same, but yet to find proof of that transaction. The most popular one now from the same decade is the first appearance of DeadPool. The New Mutants #98 has over 4000 graded (4373), one reaching an incredible 9.9 signed by Rob Liefeld and more recently an unprecedented universal gem mint ten. More keep coming in as one of the most popular books of the modern age, next to the previously mentioned Spawn #1 (3551) and The Walking Dead #1 (1762).

     

Between 1991 and now The New Mutants #98 became a key comic book much like The Incredible Hulk #181, from the seventies did. The other issues to arise with interest from the same eighties title in a 9.8 are #1 (681), #16 (140), and #87 (2042). Including the three mentioned, issue #98 is probably graded more than the rest of the title combined, including the annuals. Some of these issues have only two graded in a 9.8.  Issue #58 (9.6 SS) and Annual #4 (9.6 SS) do not even have a 9.8 copy on the census, yet. Any of the Non Key issues could be found in any dollar or blowout box, but once graded a 9.8 by CGC those same books could become upward to a hundred dollars; signed a little bit more.

Grading by CGC greatly increases the purchase price of a book, although it does not guaranty it is worth that cost. It only guaranties the grade. There are instances where a comic book not graded by CGC outsells a comic book that was graded by CGC. I personally had many comic books graded purely because what they are worth to me. My New Mutants series is a testament to that. This also begs to ask again why send a book to CGC? Is money the objective? Are you planning to flip the comic book? Is it the pride and joy of your collection? And what can it do for the buyer knowing the grade?

I like CGC because of the community I became part of, but it also allows the buyer to feel comfortable with what they are purchasing, akin to purchasing a pedigree before CGC was created. A gem mint copy of New Mutants #98 sold through ComicLink.com reaching $15,449, a comic book that originally guided in the OPG for $4 in 1999, the same year CGC was stepping into the waters (this was dismissed as a coincidence). The most this comic book could have cost to get graded was the $18 charge for grading, an additional $10 to fast track it, $5 for the invoice fee, and possibly an additional $5 to have them scan it. Add a minimum of $10 for shipping it back to you and you’re looking at $48. Spending that on a non-key comic book priced at $5 is clearly not worth the financial cost.

If you purchased Deadpool’s first appearance when it first came out at cover price the chance of attaining a gem mint, however small, would give you a small profit of over $15,000, if the last recorded price was matched. A 9.9 could gain an approximate $3000 dollar profit, a 9.8 about $300, while a 9.6 could get you $50. Anything less isn't worth the cost of the grade. 

The New Mutants #99, a cover tribute to X-Men #138, would be even less. GPA’s highest recorded price for this book with a signature series 9.8 signed by Rob Liefeld was $125 (Dec 2013). A universal 9.6 copy was significantly lower, selling for $14 (Jan 2013). This clearly is not worth the cost to grade if making money is your only goal. So what if you’re trying to grade “The Human Fly”, “Captain Carrot and his Amazing Zoo Crew”, or” On a Pale Horse”.  Is it worth it?

Starting in any hobby can become addicting, I've been collecting since I was twelve and reading comic books since I was five. I don't know who gave me my first comic book although I have a strong suspicion it was my Pop-pop. Over time comic books became a huge part of my life. Every week I go to my LCS. I purchase the new comic books to add to my collection. What can I say; I enjoy the story, even once asking my dad for $300 to purchase what looked to be a near mint copy of Daredevil #1. His reply was along the lines “What are you, nuts?”, and yet my addiction is still held in check by believing what it all comes down to, much like the cost of a comic book, it's the love of owning the book which makes it worth the cost of a grade.

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Is Superior Spider-Man, Superior?

I have to imagine when Amazing Spider-Man #700 was released, no one expected what happened at the end, myself included. I associate the final pages of this historic issue with page 271 of Star Wars: Vector Prime. What happened was so unexpected; so terrifying that it had to be read again. I couldn't believe what was on the printed page even after reading it the second time. The final pages of ASM #700 had me experience the feeling of What The...? once again. Dan Slott had me riveted with excitement, followed by dread. The impossible was possible, Peter Parker was no more.

Issue seven hundred ended a series beginning back in 1963. This changed to Volume Two with a new #1 right after issue #441 somewhere in the late nineties (Nov. 98') and reverted back to its original numbering with its milestone five hundred (Dec. 03') while becoming volume one, once again. And if that's not confusing enough, Marvel might start over again to make sure the readers aren't thoroughly confused. Oh wait, they did, this time however, instead of starting over in a brand new direction with Amazing Spider-Man #1 (or #701), they started over with something superior.

But is Superior, superior? A CGC copy of Amazing Spider-Man seven hundred in a 9.8 condition has sold anywhere between $18 and $2550 (with a universal label), variants included. To be fair, the $18 price tag had a broken slab; if you do not include that particular copy then $22 was the next cheapest sale price. If I include the signature series versions, the price tags become loftier. I could only imagine if one eventually turns up with Steve Ditko's signature on it. And if the last issue is fetching these prices, did speculation cause the first issue of Dan Slott's re-visioning of Stan and Steve's 1963 creation to be just as successful?

An encapsulated copy of Superior Spider-Man issue #1 sold for $13 while the highest cost was a variant by Joe Quesada (sketch cover) at $450, (once again, a universal label). This is nowhere near the famous issue where Peter Parker dies (?), which was released only a few months earlier. Covers might not make a comic superior, although it could make it somewhat more desirable, look at the recently released Forever Evil #1 lenticular 3D cover. Although the cover might be the reason to pick the comic book off the shelf, I feel it's the writer that keeps you coming back.

Dan Slott has completed almost two years with an exceptional title, I speak of Superior Spider-man and not the amazing title that preceded it. Even after death threats and hate mail (aplenty) he chugged away to tell a story. It might not be Peter Parker's story, but it is Spider-Man's story, which once again begs me to ask, is Superior Spider-Man superior? With the recent annual released, written by Christos N. Gage, I had the chance to find out. Ever since the first New Mutants Annual was published I always believed the extra issue added to the overall story. This favorite tale of mine, “The Cosmic Cannonball Caper” was written by X-Men scribe Chris Claremont, the same writer of the first fifty four issues; two more in the sixties, one in the eighties, and the first three annuals. Superior Spider-Man could not say the same. 

Christos N. Gage started writing comics in 2004. Dan Slott started in the early 1990's as an intern at Marvel until his big break with his first monthly title, Ren and Stimpy. After his first successful title, of which number one was a scratch-N-Sniff polybagged issue (and yes I bought two), Dan cut and sharpened his teeth on many titles before landing the "big comic book". Although Christos has co-writing credits on a few Superior Spider-Man issues (11, 12, and 13), it was Dan's creativity that filled in the slot. (I am so sorry, I couldn't pass that up.)

With great power comes great responsibility was not only Ben Parker's greatest advice, it was also Peter's greatest crutch, which is what made him Amazing. Otto Octavius wasn't the first Superior Spider-Man. That credit goes to Kravenand J.M. DeMatteis. Otto isn't even what makes Spider-Man superior, as the unexciting annual that was recently released ascertains. 

I perused through the copy at Fat Jack's Comicrypt in Philadelphia and decided against its purchase. The money would be better off spent in other ways, but at least it helped me answer the question of "Is Superior Spider-Man, superior?" Yes it is, but only because of Dan Slott, much like the reason why Spider-Man was so amazing when it was written by Stan Lee.

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Wizard World Philadelphia: How I love thee

It's Christmas morning 

I wonder what Dorothy would have done if she woke up knowing she was off to see the Wizard! Christmas Day never had the allure or promise of if I behaved then Santa Clause would reward me by climbing down the chimney and putting presents under a tree. We had no chimney. We had no tree.

I wake early, earlier than I have too. Sleep was restless as I tried to slumber but I had comic books on the brain. I went to bed late hoping I would wake up just as late, but suffice to say after three hours sleep and nine hours before the doors open I did what every other pet owner does and fed my cat. He doesn't understand what today actually means.

Normally everyday I grab the cleanest clothes I have and make sure I look presentable, today I acted unlike any other time with the exception of last years Wizard World and thought those alien words strung together of "What should I wear?", which kind of scares me because if I feel this way today, how am I going to feel tomorrow when I meet Stan Lee?...again! 

Wizard World from its inception in Philadelphia has been a three day event until last year when they added a fourth, an opening salvo if you will. I like this first day, but more like a get your feet wet sort of day, its Friday and Saturday that the vastness of what Wizard World has put together sets in. When Sunday arrives I realize how much money I spent and then on Monday I find out I could have spent more. 

As a younger man I disliked spending money at the door. Admission would take away from my comic book fund. As an older man I still do, but I understand. Wizard World charges patrons to get in the door, they charge companies and budding artists a fee to set up tables to either sell their wares or bring attention to their products. Deeply rooted in my mind is "For Zombies". But, what we get in return is a huge amount of things to do. With fifteen pages of panels there is an amazing selection.  Wizard World will continue to bring in money from ticket sales, but this event would not succeed without the throng of fans waiting for the doors to open today and each consecutive day.

With a bit over six hours to go I, for one, cannot wait. Finally, Wizard World Philadelphia is here. Check out #wizardworld , #wizardworldphilly and #WizardWorldPhiladelphia all weekend long.

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Off to see (the) Wizard... World

In younger years this was said on days before we found out the Wizard of Oz would be playing this upcoming Saturday night. This news would be a small blurb in the free TV Week that was given with every Sunday Inquirer. I no longer pay attention to any TV Guide and off to see the Wizard means something slightly different. Wizard World has changed and morphed from a singular comic con to a pop cultural event. No longer is the Philadelphia Convention Center filled with only comic book collectors, but it is now filled with Wrestling fans, Trekkies, Star Wars aficionados, Whovians, Zombie lovers, Cosplayers, Speculators, Spectators, and Autograph hounds.

Wizard World has redefined the convention experience. Only a few years ago after a Texas based Wizard World was cancelled and postponed a Los Angeles show rumors were flying in Philly on the show floor that this year might have been the last year. That rumor was squashed at day’s end when they released the dates of the next year’s show. I started to attend in 2007 and in the past years the convention that was is different than the convention that is. Wizard world has created an event for everyone. They created V.I.P. tickets for the greatest names, or the most beloved. Photo companies swooped in to take pictures of you and your favorite Icon and Meet and Greets were created for a small amount of time with your favorites in separate rooms away from the throngs of fans.

The Wizard World clock is counting and I check out Wizard World everyday to see who is attending, I even cross reference other shows and wish that Alan Davis was also included on the Philadelphia itinerary as he is in Chicago. There are so many movie and TV stars, comic book contributors, and wrestling legends that I have peruse the list multiple times to make sure I didn’t miss anyone. The panel list is currently about fifteen pages long and even after cutting out anything I don’t want to see or partake in, I am still at five pages. Wizard World has even acquired Con Bro Chill to play at the Trocadero, free for V.I.P. pass holders, on Thursday night at 8PM, the first day at the show.

There are two jobs I have, the job I work and the job I love. Writing is what I love and I hope over the next few weeks you will pay attention to me either here on A Shot of Comics, or throughCircuit 42, and check out the pictures that will be posted through Instagram and twitter with the #WizardWorld or #WizardWorldPhilly. Tickets are still available and if one day is all you can spend, I recommend Saturday for anyone looking to see people dress up and Sunday for anyone looking for deals on Comic Books, and as much as I believe every line will seem equally as long…if I were a betting man, I would put my money on Stan Lee as the winner.

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Wizard World 2013: A Roundabout Preview

In 1993 I went to my first major comic book event. It would be over another decade and a half before I went to another one. I attended this with my father and my son. The year was 2007. The following year in 2008 we did the same thing. It was in 2009 that I started to go by myself that this iconic event morphed into something different. Directly on the website WizardWorld.com a countdown timer has been worked onto the front page. I have been staring at it for the past two weeks watching has the chosen event has become a Mecca of a sort, a calling I cannot seem to deny. Last year with press credentials in hand, I did the impossible, I bought a ticket, How could I not, as a fan first, purchase tickets to meet Stan Lee?

I was part of a larger conglomerate then. There were a slew of us attending and we all had our own assignments. Mine was to find out about CGC. This was more my speed then all the others who were giddy about either this or that. The thing is Wizard World changed from a Comic Book convention into a pop cultural phenomenon. Joining the countdown timer on the homepage was a floating picture display changing from one major guest to another. Stan Lee being the most iconic comic book deity, was followed by Neal Adams (he will be at Chicago and not Philadelphia), another major legend, one of which Batman never would have been the same about, but even today, two weeks before the event they have not stopped adding, with tickets still available, the Ramones are making an appearance. Do I even have to mention various stars of the Walking Dead?

After clicking on the Philadelphia highlighted event, a slew of actors, artists, enthusiasts, and special guests could be seen listed. The top and foremost area are the Special Guests, currently there are 54 with pictures and a link for their bio. Next up are the Featured guest, these are mostly stars from shows like Firefly, past iconic movies, and Wrestling. The last category, the one I pay most attention to are the Comic Creators themselves, with over two hundred listed. But that wasn't enough, a fourth category for the fans themselves, there are at least 35 people presenting under the Cosplay & Fan communities section.

The countdown won’t stop. It will keep going until the event has begun and once it has I can only imagine that it will start again for the New York City Experience.

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ECCC: A Roundabout (P)Review

So here I am sitting in my humble abode wondering what I can bring with me across the country to this wonderful and beautiful comic con I have heard so much about in the past. I have comic after comic that I want to have signed and graded, but signed by who you ask. You can hurry now and visit their website to see all the illustrious creators they have. First and foremost for me is Gerry Conway to add his scrawl next to Stan Lee's and John Romita's on my Amazing Spider-Man #129.  And the likes of Denny O’Neil and Neal Adams will also be making their way there along with one half the creative team of the New Mutants, Chris Claremont. Should I mention the joy of an Epic Elfquest run reprinted by Marvel, maybe an issue #1 to be signed by Richard and Wendy Pini.

I was thinking of having my Marvels book signed, but then I wanted to have the only book of X-Infernus I don’t have in a 9.8 signed and graded, but for the life of me I can’t figure out where that book is. I will continue looking up to the day of my departure but what is this, these beautiful copies of the Spider Man and Black Cat story by Kevin Smith and Terry and Rachel Dodson, do I dare, can I dare? I printed out an invoice for those for CGC, the worst that could happen is my decision not to have them signed by the artists and graded by CGC.

But why, yes WHY am I going across country to a convention so far away from home when I can just wait until Wizard World arrives here in Philadelphia? Because it is the ECCC and as the time draws near I get more and more excited. This isn't just a comic-con, this is a chance to meet friends. A dinner is to be held for the “Boardies”, a bunch of us that love the idea of encapsulating a comic by CGC and placing them in a set on the registry of possibly the best comic book, recently I have fallen in love with the idea of getting the worst possible too.

I never thought in my wildest dreams I would be sitting at a dinner table with others just like me. Comic collectors, aficionados, geeks, nerds, dweebs, and any other assorted names that were given to what makes “The Big Bang Theory” such a big hit. I will be talking about the convention for weeks to come. I must imagine that if I am this excited before the event, by the time the event is done, I fear I will only be looking forward to go gain in 2014.

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Amazing Spider-Man #700: A Roundabout Review

I have been collecting Amazing Spider-Man since issue #251,titled “Endings”. I do have a few other books before that one, but it was thegloved hand coming through the water holding up Hobgoblin’s mask that enticedme.  I followed Peter Parker when he wastransported with hero and villain alike to participate in the Beyonder’sexperiment throughout the 12 issue Maxi-Series, Marvel Super Heroes Secret Wars.His own series with issue #252 was sold out before I got out of school topurchase it. I didn't even realize I missed its release. Remembering back, itall started with a very well read copy of Issue #181, the origin of Spider-Man.I have an idea how I got that issue, but that's a story for another time.

Over the years I collected the adventures of Peter Parker. Ifollowed as he asked Mary Jane to marry him. I watched as he took on newvillains and old ones alike, each time reciting what he believed in "WithGreat Power Comes Great Responsibility". At times he was beaten, but hefought back. He never gave up, he never quit, a real life lesson.

SPOILERS AHEAD

I am a huge Star Wars fan and ever since Vector Prime by R.A.Salvatore killed offa vital character to “its” universe, I was shocked. I understood the reasoning,how could you fear for the characters you love if they would always survive in the end. A line from The Never EndingStory rings truer than anything else at the moment when the old man in thebook store told Sebastian "You're books are safe". Spider-Man issue#700 was not safe.

The comic book is packed, but after reading the first portionof the book, the important portion consisting of the first fifty pages wasenough to destroy any thought of being safe again. The Ultimate Universe wasfun to be part of and when they started to kill off major characters likeSpider-Man, I’m considering if it was just a test run. I mean seriously, howwould the media and the fans actually accept the death of Peter Parker, theAmazing Spider-Man?

Dan Slott has kept fans riveted with his story telling prose.As other artists joined Peter on his journey none I felt were as strong asDitko and Romita Sr and Jr. Many characters were slain, most by villains, andmaybe none as well known as Gwen Stacey by either the hands of the Green Goblinor Spider-Man himself in an effort to save her, by the superior skill of GerryConway, nothing against the legend and creator himself, Stan “The Man” Lee. 

Marvel is trying to capture the magic that DC initiated withthe New 52. Their attempt of rebooting their universe reminds me of a band aidbeing pulled of wounded skin. The only Marvel Now book that I thought wasworthy was Indestructible Hulk, a book I was hesitant to collect. Both Avengers#1 and Cable and X-Force #1 I found lacking. Thor I have heard good thingsabout but I think it's going to be The Superior Spider-Man that is goingto be pivotal in my monthly rotation of comic books. Mark Waid, you have beenwarned, please keep Daredevil my favorite title.

R.I.P. Peter Parker, you deserve it.

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My Amazing Spider-Man #129

I was sixteen, maybe seventeen when I asked my father for $300.00 to purchase a Near Mint copy of Daredevil #1. There was some profanity before the final word of "NO". The book was one of two that I was truly interested in. I was a more consciousness collector and started to purchase the back issues, the Frank Miller Daredevil issues helped bring upon this renascence of the hobby. I've always wanted a first appearance of a silver age created character and my copy of Iron Man #1 was not one of them.

My second choice was an equally beautiful copy of Amazing Spider-Man #129. Even though the book wasn't a silver age book it did meet the criteria of a major first appearance, in this case the Punisher. And the price was more reasonably affordable for my allowance, part time job, and whatever I was given in trade.

Before my father said "NO", I asked Dane, the proprietor of ComiCards if he could hold them for me. He made sure to stress there was a lot of interest in those two books but since I was a loyal customer he would give me a week. I had hoped with a loan from my father I would be able to afford both of them, but now it could only be the one.

I brought my copy of Iron Man #1 along with a few other books I had I was willing to trade in, my Tales of Suspense #97 was turned down. I received a total credit of $80.00 for everything he wanted and another twenty thrown down and I became the proud owner of a very beautiful book. I couldn't wait to get it home to read.

The back issues on the wall, which is where this one was placed were kept in, were safely secured in a Mylar bag. The hole in the top of the bag allowed me to place this comic book on my wall. At school no one knew I collected comic books but the select few who made it into my inner sanctum knew of my addiction. Before placing it on the wall with my "Longshot" series I shed the book from the sleeve, read it, and with equal caution placed it back into its protective casing.

Over the years I read it a few times and even taken the time to grade it. The first time I graded I didn't have much experience. I looked over the book carefully examining the front and back cover while ignoring the insides. I was unaware they counted. I wrote in a spiral book my full collection and marked next to the title the grade I thought it should be. My educated guess was a 9.4.

It would be years later before CGC started and even more years before I accepted them and decided to trust them with my Amazing Spider-Man #129. At Wizard World 2008 I turned it over to CGC, it came back the same day, graded a 9.2 with white pages. I wanted to question them, to find out more, but I was still enclosed in my own shell. I let the grade stand. I brought it home, joined the registry and never added any of my books.

Eventually CGC had a signing for Stan Lee. I opted for this possible once in a lifetime event and debated on what I could send in compared to what I should send in. There was so much, but I could only afford to send four. Out of what I did choose, my Amazing Spider-Man was the cream of the crop. I was overjoyed that this time they graded the book what I thought it should have been all along, although I was perplexed how the page color changed from "white" to "white to off-white". At that time though it was only one of two graded In a 9.4 Signature Series..

Another two years passed and I had the opportunity to add another great to the cover, this time by John Romita. I was relieved when the book was graded the same. I am sure there are a few more double signatures out there and after researching a bit I found one on eBay. Its asking price was set at $2500. Although it didn't sell right away, it did sell.

After learning more about the way CGC grades and immersing myself more into the aspect of third party grading I decided to see what others would say about my Amazing Spider-Man #129. I took it to Matt Nelson of Classics Incorporated which was newly acquired by CGC. There was a flaw I originally missed that he pointed out to me. He thought the imperfection that I missed would be pressed right out. He looked it over and felt positive that the book would reach a 9.6.

I received word via e-mail yesterday; on December 7th my book was graded. I just have to wait till I get the book in my hands but Matt did indeed come through on his predictions and the book will be returned to me as a 9.6. But after reading this long journal entry I ask you do I add another signature to the mix. Gerry Conway will be at the Emerald City Comic Con in Seattle, Washington and I would love for him to add his signature to the likes of Stan Lee and John Romita. Would it stay a 9.6? Would the book drop to a 9.4? It's a gamble and I have a couple months to decide, but I wonder if this was your book, what would you do?

Thanks for Reading

Tnerb 

This was originally written for the CGC registry.

Winning in an Auction

I don’t know why I did it. I just did. They weren't necessarily a book I wanted to collect but I won on three books on one of the latest comic book auctions. The books were three different issues from Kazar. Each of those issues was from the run he had in the eighties. I never collected them when they came out since I just started collecting comic books and really didn't know about him. I was too busy immersing myself into the world of super heroes to be worried about Tarzan reject.

My curiosity about the character started years and years later, most likely with Vol #1 issue #12 of Daredevil.   I still never searched for any of his books until recently, but still didn’t pick any up. I was too enthralled in completing my New Mutants collection. Now that collection is almost complete I also decided to collect Locke & Key but I wanted to collect something else. Something older and Kazar wound up being that title but only because they were so cheap….and I felt like winning an auction. My losses were piling up.

I won the books and am now trying to think maybe I should have bid on the others because when I checked eBay out for other issues, none of them were that cheap. I think this series will take me a long time to complete because I really do not want to spend that much on them. I also have to decide if I want to collect the other Volumes too because the title character also had small runs in 71 and 74. I think these will go nicely with my copy of X-men #10 (Stan Lee’s Signature Series) which is out in CGC Limbo of verified but on a side not at least the books I had g to San Diego are know in the Waiting to be Graded status. 

Thanks for Reading

Getting Confirmation

Yesterday I picked up a copy of The New Ultimate Spider-Man and I heard that they were bagged because inside was a random chance of a signed variant by none other than Stan “The Man” Lee himself. I would like to tell you that after cutting the bag open carefully with scissors I discovered, that’s right, you read it here first I discovered an unsigned copy of the book. It wasn't like any other book either it was good, signed or not signed. This is the way a number one should start off, not mentioning any other comic book companies…cough cough.

After some people read my entry through comicbooked.com word came back after a day that they received a signed copy. If my internet wasn’t working so sporadically I would add the link to the picture on twitter. Congratulations to that guy. I can’t say that I am upset about not getting a signed copy especially since that is not the reason I got the book in the first place. Nope, I got it because I hope it would be a good read and I wasn’t let down. I really cannot wait till issue #2.

I don’t want to spoil anything but the ending was a classic ending of why I like comic books. I want to know what happens next. I might have to wait a month but I for one plan on rereading it just like my Locke & Key issues. Comics are becoming fun again. I have a few more to read including Fear Itself and Daredevil before going to bed this Thursday morning, late morning anyway. But I wonder with one more bagged number one coming out soon, will I be lucky enough to look in awe one of those coveted golden tickets, oops…sorry Willy Wonka just popped in my head.

Thanks for reading